Baiser Beauty

Maker Spotlight + Giveaway


Baiser Beauty does a lot of things right. From using all natural ingredients and recipes based on their family’s Mayan heritage, to their packaging and art design, and informative blog, the two gals behind this incredible brand are a skincare and makeup force to be reckoned with! Have some extra time on your hands? Check out Baiser Beauty’s incredibly fun horoscope page!

Want a fresh, all natural look for 2017? Here’s your chance! The lovely gals at Baiser Beauty are giving away their 5 piece makeup collection to one lucky Instagrammer! To enter, follow Baiser on Instagram and tag a friend in our giveaway post. The winner will be chosen on Friday, December 9th.

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Osborn Shoes

Maker Spotlight

Osborn Shoes is basically heaven for those of us who dream of colored flats. Their shoe silhouettes are classic, but their colors and patterns are bold and beautiful. If you don’t already own a couple pairs, chances are you will soon.

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Tamika Rivera

Maker Spotlight


Tamika Rivera is a jewelry designer, candle maker, and all around inspiring lady. Her Cuyo and Tapa collections have graced our fairs in the past, and we always look forward to the newest additions in her work!

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Jessie Dib and RA+RE

Maker Spotlight


Venezuelan designer, Jessie Dib is a woman of many trades. Not only is her eponymous jewelry line modern and bold, but she also runs a collaborative clothing and music label called RA+RE. Needless to say, this girl knows how to make a statement! 

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Lillian Farag

Maker Spotlight


Lillian Farag is a painter and illustrator with quite the colorful eye. While her collection boasts a large variety of styles, there is a definite theme in palette and whimsy. We particularly love how Lillian marries her unique designs with a variety of wearable accessories, from clothing to leather pouches!

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Malka Dina

Maker Spotlight


Elana Noy’s Malka Dina is an evolving collection of home wares, jewelry and art. Simply put, Malka Dina creates everything you need to make you and your home awesome. The Brooklyn-based designer works primarily with clay and metal, and uses her signature curves and shapes to bring an aesthetic theme to house and wardrobe.


When/why did you start working in this particular craft/field?

I have always been a maker and love working with my hands. I was a fibers maker in college, and while there was an emphasis on textile techniques, it was pretty interdisciplinary, and I dabbled in all kinds of 3D making, which lead me to ceramics and metal. I really love combining materials and figuring out new and interesting ways to use them. I think that my textile background has informed the way that I work with clay and metal and the atypical colors and textures that I try to achieve.


Have you had any major failures? If so, what were some important insights gained?

Definitely. It’s really difficult to control ceramics, especially the glazing process, which can be very frustrating because I’m a total perfectionist. Even though I’ve gotten upset so many times over not having pieces turn out the way I want, it’s been sort of freeing (in a weird way), and has maybe desensitized me to disappointment. I’ll get annoyed that something didn’t go exactly according to plan, but it’s nothing like the heartbreak I used to have when I found a crack or a drip on something I made.


Have you sacrificed anything to create your business? If so, what was it, and do you have any regrets?

My biggest sacrifice has been my free time – I honestly can’t remember the last time I took a day off. Working seven days a week sometimes has me feeling exhausted and worn out, but the tradeoff is doing what I love, and being my own boss is just amazing.

What has been your proudest/favorite moment since creating your business?

A few months ago I donated 10 limited edition pieces to my friends’ Kickstarter for a documentary they were making about nightlife icon, Susanne Bartsch. All 10 sold out way before the campaign was over! I was shocked and so happy, not only because I was able to help my friends but also because it was a little reminder that I have an audience out there and they are interested in my work outside of straight retail environments.


What valuable experience/knowledge did you have before starting your business?

I worked as a bench jeweler for a few years before finally venturing into starting my own business. Being an art jeweler (or maker, in general) is very different from having a production business where you need to produce multiple pieces in as short a time as possible. It taught me to be aware of time and technique, and that while there are lots of ways to do something, there is usually a most efficient way.


What are some inspirations for your work?

I find inspiration everywhere, so I make sure to always have a notebook and camera on hand so I can capture little moments of color or shape that I find around me. I’m also very fortunate to have gone to art school, so I have some art history knowledge. I love a lot of work that came out of the early 20th century, especially the Bauhaus artists and the Art Deco era. In both cases, the styles were broad brush strokes that were exemplified in furniture, architecture, jewelry, home goods and beyond – a whole world was created with a strong signature aesthetic which is what I’m hoping to do with my body of work. Right now, I’m focusing on ceramics and jewelry but I definitely have bigger plans for the future.


All things Malka-Dina:



Titty Hawk

Maker Spotlight

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Once in awhile you come across a brand or company with the best name, and Titty Hawk takes the cake! The jewelry line from Brooklyn-based designer, Laila K. Lott (another amazing name, right?!) embraces all things fun and trashy. Combined with Laila’s obsession with culture and design, this blend of the beautiful and the disgusting yields a unique line of jewelry and clothing.


Where did your business name come from? Is there an interesting story behind it?

I’ve actually had the business name TittyHawk since I was about 19. I had started making little one-of-a-kind boob necklaces for friends just for fun, and then, on a cross-country road trip, I met an awesome old hippy in Texas who told me about the legendary KittyHawk women of Tennessee. They are basically wild sex-crazed mountain women who ensnare traveling men like sirens and have their way with them. I’ve never found any other info on them so that lady was probably nuts, but how could I not be into that?


Have you always been passionate about design?

I grew up running around my dad and uncle’s studio in Dallas, working with clay and ink at my grandmother’s crazy bright red and purple house. Making art and jewelry has always been what I’ve wanted to do, and my family was so encouraging and amazing. I was also fortunate enough to go to an arts high school which totally saved me and taught me all the essentials that I still utilize today.


When/Why did you start working in this particular craft/field?

Four years ago, I started working for a jeweler who, in turn, hired me to be apart of the in-house production team at Catbird right when it was starting. They taught me the basics of metal smithing, and through that company I met so many amazing and talented jewelers who have shared their knowledge and advice. As for my silk-screen work, I learned in this process in college but didn’t get back into it until a few years ago when my best friend (and badass artist) Lena Hawkins started running the print shop at Flux Factory. Printing clothes was a great way for me to incorporate my art into my line and have a reason to still set aside time to draw and collage.


What do you think sets your designs apart from others?

I think (or hope) my work is different because it’s usually a strange mixture of ancient symbols and designs that I’ve grown up around and the dirty, pervy, trashy imagery from popular culture and vintage ads that I just can’t seem to get out of my head. I’ve always had trouble simplifying my designs and eventually stopped trying and just went with it, haha.


Have you sacrificed anything to create your business? If so, what was it, and do you have any regrets?

Free time, health, money, sanity. Being a full-time jeweler is pretty rough on your back, hands, eyes, and lungs – so that’s been a challenge for sure. But those are just some things all artists have to endure and await the glorious day when we can afford to pay for help.  Hopefully that day comes before my thumbs fall off.

How does the city you live in influence your work?

New York influences me by constantly kicking my ass and then surprising me with new awesome opportunities and trashy treasures. I’ve been here for eleven years and have such a love-hate relationship with this city. It’s really hard not to get discouraged and also depressed by how the city has changed and how hard it is just to get by here, let alone as an artist. But it’s also the weirdest, most eclectic place I’ve ever experienced and I am constantly in awe of the beautiful and disgusting things this city is still serving up if you take the time to look around.


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What made you take this leap into being your own boss?

To be honest, I really don’t want to be anybody’s boss, even my own. I still work two other jobs and create my work in-between, and I am definitely excited for the day when I can only work on what I want. However, it takes so much discipline to be your own boss and it’s been one of my biggest struggles. I do it because creating art and wearable art is what makes me happy, and I knew I would never be content keeping that as a background hobby.

What are some inspirations for your work?

My most obvious inspirations are images from my Egyptian heritage, objects collected while traveling around the world, old hypergraphics and symbols, vintage magazines, taboo sexual desires, drugs, and weird mysterious trash. But aside from all that obvious junk, I am really inspired by my friends. That sounds super cheesy, but I am insanely lucky to have found all the best little fun creative freaks of the world. They are raw and real, and kind of suck at social media and self-promotion, and care more about making what’s true to themselves, and experiencing as much as possible than obtaining superficial success. Don’t get me wrong, we all want to be successful, and trying hard to get there and I’m not trying to poopoo anyone else’s achievements. I’m just grateful that the people closest to me who I can travel and collaborate with are so genuinely talented and strange. I don’t think I would have the balls to make what I truly want to make if I didn’t have them around. It’s scary to visit the dark side alone.

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What are some tips or suggestions you’d like to offer to fellow makers?

Make what you want to make and don’t worry too much about the rest. I think for creative people it’s difficult to shift into creating marketable goods without betraying their own vision.  I personally have always struggled with comparing my own work to other peoples’ and letting that affect what I think I should make, and how I think I should present my brand to the world.  In the end the things that people like the most are the things I enjoyed making the most.

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All things Titty Hawk:




Maker Spotlight


TM1985 is one of our favorite bag companies. Founded by Tielor McBride, TM1985 took its Midwestern roots and moved to New York City to design leather and fabric bags that are both functional and beautiful.

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Sierra YB

Maker Spotlight

Sierra YB_Speckled Hexo Vases

If you haven’t seen Sierra YB ceramics – you are missing out! These ceramic pieces play on traditional geometric shapes with organic patterns and lines making an entirely unique collection of must-have housewares.

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Dana Confections

Maker Spotlight

Valentines Calissons

What is a Calisson, you ask? Well, a calisson is a confection combining candied fruit and almonds, originating in Aix-en-Provence. Dana Confection Co. was established by Rachel Dana and thanks to her passion for confection, she’s brought these calissons to the States!

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Eliana Bernard

Maker Spotlight

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Eliana Bernard is a ceramicist based out of Austin, Texas. Her work has caught our eyes with their deep rich hues and gorgeous marbling.

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Where did your business name come from? Is there an interesting history behind it?

My business name is my first name, Eliana. I knew when I started my business that I wanted to use my name to represent myself as an artist since my work and medium will evolve over time, but my first name won’t ever change.

Have you always been passionate about design?

Making art has always been a passion of mine and design is a very important part of that process. Since I started my business, I feel like I’ve refined my work and put more emphasis on designing products that are both beautiful and functional.

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When/Why did you start working in this particular craft/field?

I began working with clay in college and fell in love with the medium immediately. I experimented with liquid clay and moldmaking, and loved every part of the process. Since then, most of my work is made by slipcasting – pouring liquid clay into plaster molds. Working with slip has allowed me to explore new ideas through a variety of techniques.


What do you think sets your designs  apart from others?

I know what my material can do and I love pushing the boundaries to create something unique and visually appealing while maintaining its functionality. In the Marbled Collection, the pattern varies from piece to piece. Even with the process of slipcasting and using molds to produce a consistent form, every piece has it’s own pattern, making it truly one of a kind!

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What has been your proudest/favorite moment since creating your business?

In Austin there is a annual art event called the East Austin Studio Tour, where artists open up their studios to the public and showcase their work. My first time participating in the tour was that fall after I graduated and it was an entirely new body of work that I made over the summer.  I was very nervous about it, but the feedback was amazing! Everyone responded really well to my work and that experience helped give me the confidence I needed to get my business going. I opened up my online shop shortly after and I’ve continued to participate in the studio tour since then!

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What valuable experience/knowledge did you have before starting your business?

I worked closely with other ceramic artists in my community, so I gained a lot of knowledge from seeing how they run their ceramic studios and what it takes to maintain a successful creative business. Not only did I gain more experience in working with clay, but I also learned the business side of being an artist.

What are some inspirations for your work?

I am inspired by color, textures/patterns, and shapes found in nature and in design. I love experimenting with slip and seeing how I can translate these elements into something tangible and functional. I’ve also found that through experimenting with the material, ideas can evolve into something great.


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What are some tips or suggestions you’d like to offer to fellow makers?

First, stay curious. It’s important to explore new ideas even if they don’t lead to something as grand as an entire collection. Just giving them a little light can spark other avenues to explore. Second, be versatile. As artists we tend to wear many hats and have to be a maker one day, a marketer the next. Finding a balance between the two will help to flourish your business. And lastly, enjoy the process—it’s totally worth it.

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All Things Eliana Bernard:



Liam of York

Maker Spotlight


The clothing and textiles from Liam of York have been on our minds for quite some time. With the arrival of an exclusive collection of pillows, purses, and other home goods, let’s just say, choosing just one favorite is just about impossible.

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Small Ant Workshop

Maker Spotlight

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Liz Cowee is the artist and jewelry designer behind Small Ant Workshop, a wonderfully edgy collection of pieces made of resin and laser cut acrylic. The colors Liz fuses into her jewelry appears both freestyle and deliberate, which shows the true nature of her artistic craft.

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The Local Branch

Maker Spotlight


At every Renegade Craft Fair they attend, The Local Branch booth offers up nomadic, outdoorsy vibes that make us want to stop by hour after hour. Mackenzie and Blaine’s adventurous aesthetic is just perfection.

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All Things Bright and Beautiful

Maker Spotlight


All Things Bright and Beautiful is a stationery line created by designers, Joanne and Ah Li. The two met at a craft fair and soon realized their interest in art could become a collaboration. The Hong Kong artist duo bring together a childlike playfulness and whimsy to every card, print, and animation they create.

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Overlook Woods

Maker Spotlight


While attending Pratt University, artist Naomi Feuerstein fell in love with woodworking. Overlook Woods represents her love of design and woodworking, the need for creativity, and interest in local, handmade manufacturing.


Where did your business name come from? Is there an interesting history behind it?

I grew up on Overlook Road, at the top of the hill in a pink house with a magnolia tree out front. In the back were grand oak and maple trees, and a thicket of rhododendrons. It was my own little forest. I wanted my business to be an extension of myself, and I wanted to create a name that had history, substance, and beauty. To me, Overlook Woods is the top of any hill, overlooking something beautiful and comforting.

Have you always been passionate about design?

100% yes. I spent pretty much all my free time (since forever) being creative – from sculpting, drawing, and making dresses for my Barbies out of old socks, to building miniature cardboard houses (with cardboard furniture of course). Then I went to Pratt Institute and majored in Fine Art where I ate/breathed/lived art for four years. It wasn’t until I was in my 20s, babysitting other kids, that I realized not everyone grew up doing art 24/7.


When/Why did you start working in this particular craft/field?

I started woodworking in college. The woodshop was just the coolest place on campus—big tools, cute boys, and good music—so I took Woodworking 101 and worked as an assistant helping other students. I had an amazing professor/boss who was this powerful female woodworker. She gave me such respect and awe for wood as a material, and showed me how to use big saws and small hand tools. She taught with enthusiasm, recognized my innate skill, and pushed me to succeed. Because of her guidance I fell in love with woodworking.

I fell into flowers by accident. I needed a job last spring and found one fast with a florist. The job was supposed to be temporary, but I ended up staying with the company almost a year. Flowers are a lot like trees, and working with my hands and having creative freedom in the arrangements was such a pleasure that I decided to incorporate that element into Overlook Woods.


What do you think sets your designs apart from others?

Working in a very male dominated industry, being a female woodworker automatically sets my work apart. I have a more delicate hand that allows me to push wood to its extreme, resulting in lighter, smoother and more refined pieces.

Have you sacrificed anything to create your business? If so, what was it, and do you have any regrets?

Three fingers…….just kidding. Really just financial security. Running a small business has no steady paycheck, there are no benefits, no 401k. Sometimes I wish I had gone a more traditional job route, but I don’t regret the freedom and creativity I have in exchange.


How does the city you live in influence your work?

Being in Brooklyn during Hurricane Sandy and seeing all the fallen trees and branches helped produce one of my major philosophies in how I work, what I call Park to Table. Park to Table promotes using naturally fallen wood and sourcing from the “urban forest.” It also strives to connect people in an urban environment with their landscape. Our tree branch boxes are the most direct link to this philosophy, as they are all made from branches fallen in and around NYC.


What valuable experience/knowledge did you have before starting your business?

Working for a cabinetmaker, I got to see how other woodworking businesses were set up. I learned how to work fast, maintain high quality standards, but also not go over the top with perfection. That is crucial when you have deadlines–and want to turn a profit.


What made you take this leap into being your own boss?

I realized that most of the jobs in woodworking were completely production oriented, and it would take years before my creative voice would be heard. Woodworking is my current medium, but I’m an artist. I needed creative freedom, and I was young and adventurous, so what better time than the present?

What are some inspirations for your work?

Shapes and lines in nature, in architecture, in anything. I’m also inspired by the wood itself. No matter what I’m making (though especially with spoons) I always let the grain, the coloring, and the shapes in the wood guide the process.

What are some tips or suggestions you’d like to offer to fellow makers?

Have supportive people around you…and a side job.

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All things Overlook Woods:




Swim to the Moon

Maker Spotlight

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With a name like, Swim to the Moon, you can certainly imagine these jewelry pieces are fantastically dreamy! The self-taught designer, Stefani Stoyanof, creates these adornments in her Austin studio using wax casting and hand-carving techniques. 

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Getting Retail Ready For Your Favorite Indie Store

Vendor Tips: SKUE

“We’ve been described as Martha Stewart meets David Lynch” says Michael Levy creative director of Paxton Gate, a curiosities store and San Francisco institution with a predilection for the bizarre side of nature. For Andrea and Oscar of Biological Jewels, it was the store of their dreams.

Michael first found their exquisite bug sculptures online at wholesale marketplace SKUE before closing an order in person at the RCF Wholesale Market. We explore how they found the right fit in this latest episode of Made to Last, a film series where we pair emerging designers with top indie retailers.

In the film, the duo pick Michael’s brains on getting retail ready and ways to expand their line. Michael explains that part of it is having pieces in the mix that are less labor intensive and suited for wholesale. It’s also about getting your pricing right and prepping products for the retail floor.

Indie retailers like Michael have a unique perspective on retail readiness which emerging designers can learn from and increase their chances of earning coveted shelf space.

As a part of the series, we introduce makers to stores on SKUE in what we call monthly “Buying Rounds” where makers get rich insights directly from store owners.

Take this candle holder for example, by Sarah Phillips of Loop De Loup. Sarah creates her entire line with from discarded metals, literally turning them into objects of beauty. However, the display could use some help.

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In the Studio: Jamie Lau Designs

018-2015RCF-jamie lau-studio visit-0101This Friday we thought we’d share this lovely studio visit we had with Jamie Lau Designs last year in Brooklyn. Jamie recently relocated back to San Francisco and we cannot wait to see her this weekend for our Holiday Fair!
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When/Why did you start working in this particular craft?
I learned to sew as an adult and took my first sewing class eight years ago as a creative outlet shortly after relocating from New York to my hometown of San Francisco for a new job. (Yes, I am no stranger to the SF–>NY–>SF–>NY–>SF move!) The following year, I got involved in the local craft fair scene and starting selling handmade reversible tote bags made primarily with Japanese prints and textiles.

I had always loved fashion and decided to work my way toward the goal of womenswear design. Dresses were my true passion. While still working full-time, I enrolled in a mix of construction, patternmaking, draping, and textiles classes at a variety of schools, curating my own curriculum. I even signed up for classes when I traveled! I eventually left my day job and “started all over again,” moving back to New York in 2010 to change careers and work as an unpaid creative intern for some hands-on experience. Simultaneously, I continued to develop new designs and silhouettes and vend at Renegade Craft Fair. In 2013, I went full-time with Jamie Lau Designs.

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Have you sacrificed anything to create your business? If so, what was it, and do you have any regrets?
Sleep has probably been the number one sacrifice. Being a one-person operation, it’s hard not to feel as though you’re one and the same with your business. Each garment is still handmade by me, one stitch at a time. This season, I am trying to be more mindful about giving myself breaks, exercising, eating better, and getting eight hours of sleep per night.

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What has been your proudest/favorite moment since creating your business?
It is difficult to isolate one particular moment. Rather, I would say that I am proud of the cumulative experience and how much I’ve learned, broken through, and shared as a self-taught designer. It is such a joy to have a wide age range of diverse customers who are drawn to my work. I take pride in the fact that I do not design within the traditional fashion calendar nor follow industry trends. I believe in the longevity of a well-made garment and quality craftsmanship. My silhouettes are designed to be worn year-round and styled, layered, and individualized throughout the seasons by each customer.  003-2015RCF-jamie lau-studio visit-0067

What valuable experience/knowledge did you have before starting your business?

With a background in research and policy analysis, I am naturally a very detail-oriented person and good with numbers. This comes in handy for patternmaking, which breaks down to a sixteenth of an inch at times. Achieving good fit in a garment is just as important to me as ensuring quality garment construction with sewing precision. Both patternmaking and sewing require a certain level of patience and I am a stickler for details and perfection.

012-2015RCF-jamie lau-studio visit-0085What are some inspirations for your work?
I am influenced by naturally occurring textures and gradations found in my surroundings, as well as Japanese decorated ceramics. My all-time styling muse for photo shoots is chanteuse Françoise Hardy and I have always been inspired by easy-to-wear 1960s silhouettes, particularly the geometry and bold use of color in the works of André Courrèges and Pierre Cardin. I also love the work of photographer William Eggleston, finding inspiration in his use of rich and saturated colors.
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If you could learn any other craft, what would it be?
I’d love to learn shoe making, but before I get ahead of myself, I should probably devote more time to ikat weaving. Two summers ago, I studied traditional Japanese dyeing and weaving techniques in the mountains of Kyoto. It was a wonderful two-month experience to go (almost) offline, immerse myself in the world of textiles, and learn a new skill in a dedicated workspace, virtually free from distraction. As a maker, I believe that it is important to continue to grow and challenge yourself.
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How does the city you live in influence your work?
Having grown up in San Francisco, I am not afraid to mix prints, love bold pops of color, and design seasonless clothing. I recently relocated back here from New York earlier this summer and am happy to call San Francisco home again.
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What is your favorite part of your studio/workspace?
My fabric collection is definitely my favorite part of the design studio. I primarily work with traditional Japanese prints, handwoven ikats, luxurious brocades, and also create my own textile designs. Since I am a designer that starts fabric first, I often look at my fabric collection for inspiration to see what I should cut into next, or what would go best with a new silhouette I am drafting.
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What do you enjoy most about your craft and entrepreneurship?
I love doing craft and design shows and meeting new customers, greeting returning shoppers, and forming friendships with other designers and makers. Some of my best friends now were met through those early craft fairs when Jamie Lau Designs was just starting out with reversible tote bags.

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Thank you, Jamie for letting us spend a rainy afternoon with you. Jamie Lau’s collection will be showcased this weekend at our San Francisco Holiday Fair. You can view all the photos from this visit on Flickr, and check out Jamie Lau online here:



In the Studio: BU-KIN, Erika Barratt, and Alyssa Leanne Hoppe

016-2015RCF-AH-EB-BB-studio visit-8042We have a three-part studio visit to share today, and it’s a real beauty! The ladies of BU-KIN, Erika Barratt Design, and Alyssa Leanne Hoppe (Bracken), all craft in the same workplace in Red Hook, Brooklyn. We first met Laura of BU-KIN and Erika at last year’s New York Holiday Fair – and as you can imagine, their shared booth was a woodland-inspired dream! And Alyssa shared her talents with us by hosting DIY workshops at our Brooklyn Fair. Laura and Erika Barratt will be joining us this weekend for our New York Fair, and we can’t wait to see what they have in store!

Where did your business name come from? Is there an interesting history behind?

LAURA: It comes from my maiden name ” Buchen” and ode to my family and the creative upbringing that I had in Lancaster PA.

ERIKA: I use my name that I was born with. There was a lot of back and forth in the beginning trying to decide on a name for the business and nothing seemed right. What I do is so personal to me that it felt right to use my name and maintain the personal connection to each piece. My last name in particular is important to me because of my close relationship with my grandparents and their influence.

ALYSSA: My sister-in-law/best friend/buisness partner, Laura Christenson, came up with the name for our fresh flower jewelry business, Bracken. Bracken is a genus of large ferns. We have good memories of taking hikes, and exploring the west coast redwoods where a lot of these type of ferns live.

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When/Why did you start working in this particular craft?

LAURA: I always had so many hobbies and crafts sewing, painting, knitting , perfume making…etc. But, when I moved to NY and had a tiny apartment I realized my crafts needed to get smaller! I was always interested in working with leather and I had a friend who had a baby boy and I wanted to make a special gift for her. I created my first baby shoe and I called it “The Timmy” . It really did start as a hobby or project and then it grew from there. Friends wanted booties, then their friends wanted booties and orders just kept coming in. I continued to experiment and learn the craft of shoe making and it just grew into BU-KIN.

ERIKA: I have always been a maker and was always drawn to textile seven at a young age. My grandmothers and mothers all sewed and my mother made all of our clothes and even painted on them. We had drawers and drawers of fabric that I would pull out and play with and make little outfits for all of my dolls and creatures. In college I was in the Fiber Art program at Arizona State. I fell completely in love with all aspects of fibers and from there I just haven’t stopped. I love the ability textiles have to tell a story and it has just always been the perfect medium for me.

ALYSSA: I started crafting and creating moments and spaces from a really young age. Studying graphic design and fine art in college and then working at Anthropologie designing window and interior spaces helped refined my craft and taught me a lot of new skills that helped jumpstart my career as a prop stylist and floral designer.

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Have you sacrificed anything to create your business? If so, what was it, and do you have any regrets?

LAURA: I have a day job as well as running BU-KIN. All of my free time or extra time goes into my business. When I first started and was making all of the shoes by myself I was working long hours at my job and every evening and weekend would be filled with shoe making. I wouldn’t say it is sacrifice … I think it is just how I am made. I always need to be making and creating and this is what is fulfilling to me. Sometimes it gets hard because I feel overwhelmed with managing two jobs but overall it is something really special and I am so proud of where it stands today.

ERIKA: I don’t really feel like I have sacrificed anything(maybe some sleep and sanity along the way at certain times ) or have any regrets. I have definitely have had to miss out on some fun things here and there if I have a deadline or a lot of work that I have to finish but it is really what I want to be doing and I feel grateful to be able to so it doesn’t feel like a sacrifice.

ALYSSA: Sacrificing your security of a full time job with another company is a really scaring thing, but I am so happy I took the leap. There are really tough times and really fruitful times and you just have to have faith that the hard work you are putting into your business with pay off in the end.

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What has been your proudest/favorite moment since creating your business?

LAURA: I had a dream of selling in ABC carpet & home one day, it was my goal, something to work towards. When I was finally ready to start wholesaling they were my second account! I had to keep pinching myself, I still am so proud to be selling there.

ERIKA: I started collaborating with West Elm a few years ago and just finished designing my 3rd ornament collection for them for 2016. It has been so great to work with them and has taken me down this path of making ornaments that I have loved doing. And Renegade Craft Fair is always fun! 

ALYSSA: Ideating a concept and seeing it come to life in tangible form is always really exciting to me and makes me feel proud.

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Where do you want your business to be in 5 years?

LAURA: I would love for BU-KIN to branch out more and be able to expand my line of gifts for babies and children. Maybe also expand into handbags and accessories for women.

ERIKA: I would like to have a line of holiday décor and home products and a book of patterns & recipes.

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What valuable experience/knowledge did you have before starting your business?

LAURA: I was a a fashion designer before starting my line. I had experience in design, pattern making, construction and manufacturing. I was able to save so much money by doing a lot of the work myself. I make all my patterns and samples and tech packs. I am able to easily work with my Amish leather makers because I understand the making of the shoes. The business side… thats where I was lost! That took many long nights of research.

ERIKA: As far as the making part, I learned those skills growing up, in school and teaching myself. I had friends and family with their own businesses so I learned from them and the rest just a lot of late night Google searches. I have had a lot of different jobs prior to this that were all very different from one another. When you run your own business there are so many components and there are skills I learned in all of those jobs that help me on a day- to- day basis in some way, big or small.

ALYSSA: I am a learner, so knowing and enjoying the process of how to research and teach yourself has been really helpful.

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What made you take this leap into being your own boss?

LAURA: I was working at the same company for 10 years and I wanted to try something on my own. I realized that I had orders piling up and my evenings and weekends were filled with shoe making, all of this and I was really only giving it 10% of my time. I decided to quit my job and give BU-KIN 100% of my time and see where I could take it. I since now have taken another job full time but the year off that I had was so important in starting my business and learned so much and really was able to focus on and turn my hobby into a running, profitable business.

ERIKA: In some ways it kind of just happened and I sort of eased into it. I was working in Philadelphia at the Anthropologie Home Office and then my partner and I moved to New York. I started to do freelance work for Anthropologie while I figured out what was next and then that led to other projects and I started to really enjoy the flexibility of freelance life and being my own boss in that way. After doing that for a few years and some part time work mixed with freelancing I decided I wanted to build my own brand and business and just focus on that.

ALYSSA: I really wanted to have the flexibility to work on the different styles of work I do. I didn’t want to just do prop styling, or just do floral design. I also really enjoy being able to create my own schedule.

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What are some tips or suggestions you’d like to offer to fellow makers?

LAURA: Don’t stop, Don’t give up when it gets hard. Keep going.

ERIKA: Just keep going even if you feel like you don’t know what you are doing! Also having a good support system of other makers is so helpful, especially when it comes to the business side of it.

ALYSSA: Never be afraid to reach out to other people in or out of your field for advice. It is so helpful to build a support group of like minded people.

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What are some inspirations for your work?

LAURA: I try to keep things classic, I am always looking at vintage shops and flea markets for interesting finds.

ERIKA: I have always been inspired by the past, the lost arts and anything with a story behind it. My favorite things to do are to go searching for things. Whether they are sea treasures on the beach, flea markets or old dusty barns. I get inspired by beautiful materials, I like to just collect and from there things just start to appear and take form.

ALYSSA: I try and seek inspiration that is completely opposite of the work I do because it helps me look at things differently to give me a new perspective.

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If you could learn any other craft, what would it be?

LAURA: I think I would like to get more into ceramics!

ERIKA: I would love to work with metal or wood sometime. It is so different than what I work with now and I always have so many ideas I would love to see come to life in that medium.

ALYSSA: I would love to learn how to weld!

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When you do get free time, how do you like to spend it?

LAURA: Making things for myself! I love love love being in my studio and experimenting with different leathers, right now I am working on a leather fringe jacket! and I make quite a few leather bags for myself.

ERIKA: I like to bake, embroider, crochet and do pottery. I live right by Prospect Park and love to go there. I love to play music even though I don’t do it that often anymore. I have an accordion that I pull out only a few times of year – usually right before the holidays. Every year it is my New Years resolution to pick it back up again – maybe next year is the year!

ALYSSA: I really love being out in nature so anytime I have enough free time and can drive out of the city and get to the mountains, I try and do so.

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How does the city you live in influence your work?

LAURA: I am inspired by the people I meet in the city. I am inspired by the streets and all the shops. It is always evolving, always new things to see.

ERIKA: The energy of the city is contagious. Although sometimes city living can be tough I really love living here. Being surrounded by so much energy really keeps me going and is really inspiring.

ALYSSA: New York is so saturated with incredibly talented creatives that it is really inspiring but I also try and seek inspiration outside of my city just to keep ideas fresh.

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What is your favorite part of your studio/workspace?

LAURA: I love my studio space, it is my little haven, all of my favorite tools and and things are there. My studio is a place where I can create and have space to create. I also love the ladies that I share my studio with, it is so inspiring to see what they are working on and I love the community that we have. I also love the big windows!

ERIKA: The wall of windows and all the natural light! I had a studio for two years without windows and while it was nice and felt very cozy now that I have the light I don’t think I can go back! I also love the community of all the artists on our floor.

ALYSSA: I love the windows in our studio. They give so much natural light that is helpful when designing and shooting. Its also really inspiring sharing a space with Erika and Laura. Its like having coworkers again and it is so nice to have friends to bounce ideas off of.

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What do you enjoy most about your craft and entrepreneurship?

LAURA: The freedom, the right to choose you own path. To be able to really create something that is 100% what you want it to be.

ERIKA: What makes it worthwhile is being able to share these special moments with people, or seeing some happiness in someone when they receive something. Receiving a simple little note or message from someone saying how much they love something or how much something they received meant to them means the world and that makes every ounce of hard work completely worth it.

ALYSSA: I love that every day is different!

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What a gorgeous space! Clear your calendars because this weekend you should be spending all your time at our New York Holiday Fair. If you just can’t wait, you can find all the images from this Studio Visit in our Flickr album, and find all these gals online here:


Erika Barratt Design@erikabarratt

Alyssa Leane Hoppe | Bracken Floral@alyssaleanne @brackenfloral

In The Studio: Ashware Studio

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Last year we had the chance to visit the Ashware Studio up in Greenpoint, Brooklyn. When we got there, Megumi hard at work wrapping and packaging her ceramics. The surprise part of our trip was that ceramicists, Michiko Shimada and Beetle & Flor also share the same space. Talk about a triple bonus! After getting a good look around we had the chance to speak with Megumi about her art and living in Brooklyn.

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What is your process like? 

For my slip casting works, I do many sketches to determine the shape. Then I draw on the Cad or Illustrator and print out to check the size. For the geometric designs, I draw flat die-line then print out on thick card stock paper to cut and fold to make a mock up. When I decide the final design and the size, I make models, then molds. I pour liquid clay in the mold to cast the shape. Finally, I fire. I have done a lot of material and color tests to find colors and textures that fit the design.

I recently started making hand built and thrown ceramics. With this process I have to hear and feel what this clay wants to be. Some chunk of clay doesn’t want to go high like others do, I feel like it is more like working with clay. It is interesting.

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When/Why did you start working with clay?

I leaned throwing on the wheel in Japan when I was 19. Then I learned slip casting at Parsons. After graduate Parsons, I got a full-time designer job but work was all computer. I was missing making something with my hands. In 2005, Friends from college and I start renting a table space at Clayspace1205 a commercial ceramic studio in Greenpoint.

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How does Brooklyn or New York in general, influence your work?

Living and Working in Brooklyn was very inspiring. I’ve met a lot of interesting people. Seeing and feeling cultures and the trends, and the development of Brooklyn was very interesting.

Luckily, handmade movement and made in Brooklyn became popular. There were more opportunities to show/sell hand made works. I started selling my works at holiday markets. Then 2009 or 2010 I did first Renegade sell and realized I can sell my works. From the show, I’ve gotten some wholesale accounts, collaboration job with Tocca; NYC based fusion and beauty brand.

In 2011, we found a studio space on Ash Street in Greenpoint and I bought a kiln. But, Brooklyn is not that much fun place to be anymore. Everything is over-developed, over-populated and over-priced. Rent price of any Brooklyn building increase a lot. Our studio rent also increased 50% up from This June. More and more Makers are moving to Catskills.

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Do you have any tips or suggestions for potential makers out there?

Craft fair is good to start to selling your goods. You can see what sells well. What’s customer looking for. You may be able to meet store owners too.

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What are some of your inspirations for your work?

Japanese traditional design, and modern life style. Brooklyn and Catkills life. Nature and Outdoors.

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What are your short term and long term goals for Ashware?

Short term goal is start selling one of kind collection and have second studio in upstate NY.

I want to have a store some day. That is my long term goal.  

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Where did the name Ashware come from?

Ceramics, Handmade on Ash street.

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We can hardly wait to see these lovely gals at our New York Holiday Fair. You can view the full set of photos in our Studio Visits album on Flickr. In the mean time check out Brooklyn makers, Ashware Studio, Beetle & Flor, and Michiko Shimada online.

RCF + SKUE Brooklyn Recap

Most purchases are still made in the real world, at stores, but physical spaces come with their set of rules and quirks. Who better to turn to than store owners for cracking the wholesale market. Here are few insights compiled at our booth during interactions with top buyers checking out the RCF Wholesale Market in Brooklyn. 
Breaking into Saturated Markets
Tapa candles is testing out a new line with scents inspired by their travels. A few things that set them apart is  theletterpress printing, the packaging in old coffee bags and the ingredients. It was the ingredients that made all the difference. 
“I like the range of Northern California scents, especially the use of yuzu!” says Michael Levy of Paxton Gate. “More underused ingredients like that add originality and make the difference between a candle that sells, and one that sits on the shelf.”
“Might be helpful to specify the scents under the fragrance name,” adds Sylvia Parker of Magpie.
It’s also just fun to say Yuzu. 
Jewelry is another crowded category. Subcategories like laser cut wood jewelry have a tough time standing out.Diamonds are Evil break out with a new angle. That diamonds are well, EVIL. A stand against conflict diamonds. They follow up on their mission by sharing some of the proceeds to African charities.  
This design is very unique and different. says Zoel Fages of Perch, “and love the giving back story.” 
A story changes the whole experience. 
Getting Around Display Issues
The apron by XNasozi is quite the twist on the typical apron. Denim with removable leather straps. The problem at indie retail stores is display space. 
In our shop we always have a hard time selling aprons due to merchandising constraints,” says Allison McGowan of Teich. “We don’t have room for a dress form, but aprons tend to get ignored when folded. A well designed tag or belly band helps tremendously” says Allison.
Denim maker Nasozi agreed that if folded, a photo on the price tag would be a good solve. She’s considering it as part of the packaging.